Sometimes I read a script that I just can’t figure out. I know it has problems, I can even put my finger on what they are, but I can’t offer up solutions; granted, some people don’t like solutions, but offering solutions while I point out problems has never failed me, and one of the unfortunate side effects of covering so many scripts is that I am, at this point, a better reader than I am a writer. The only way to solve this kind of problem is to figure out what’s causing it, but what happens when I can’t even do that? I know the characters are thin, but why? I walk myself through the story, reminding myself of surprising moments of nuance and subtlety that give the characters depth. Why is it that, at the end, I felt like they were paper-thin? Something went awry.
I can’t pretend to understand how it happens, but when I actually talk out these problems, I figure them out. It’s all in how you’re telling the story. Here’s the story, and here are its flaws. But what if the writer did this, that, or the other? The solutions present themselves, and if you do it right, you can solve every single problem in one fell swoop—and if you’re really good, you can do it without insulting the writer.
You’ve found The Bead™.